When I visited the most recent documenta, there were dozens of dull didactic installations meant to indoctrinate visitors into the proper attitudes toward everything from organic farming to the Western Sahara. Fortunately, there were also intriguing works of art.
Yet the trend toward unoriginal laments on the state of the world from art bureaucrats continues unabated. Here is Okwui Enwezor, the curator of the current Venice Bienniale, writes in his introduction to the show:
One hundred years after the first shots of the First World War were fired in 1914, and seventy-five years after the beginning of the Second World War in 1939, the global landscape again lies shattered and in disarray, scarred by violent turmoil, panicked by specters of economic crisis and viral pandemonium, secessionist politics and a humanitarian catastrophe on the high seas, deserts, and borderlands, as immigrants, refugees, and desperate peoples seek refuge in seemingly calmer and prosperous lands. Everywhere one turns new crisis, uncertainty, and deepening insecurity across all regions of the world seem to leap into view.
…blah blah blah. To paraphrase Mary McCarthy, every single word of this is wrong, including 'and' and 'the'.