Easter is a four-day weekend in Germany, so it was time for Art. I biked to the Langen Foundation, a splendid little museum on the outskirts of Neuss, just west of Düsseldorf. It’s part of a loose network of cultural organizations in the area which includes the Museum Insel Hombroich, the Raketenstation, a former NATO missile base converted into an artists’ colony, and the newest addition, a small ‘Sculpture Hall‘ created by the Düsseldorf artists Thomas Schütte to display his and others’ works. These cultural institutions are all housed in small, carefully-designed buildings scattered around farmers’ fields and meadows.
The Langen Foundation houses art — mainly Japanese — collected over decades by businessman Viktor Langen and his wife Marianne. They commissioned a building from the Japanese architect Tadao Ando, who is known for his minimalist designs in concrete and glass. The building consists of a long, narrow, enclosed exhibition space above ground, with two large halls built underground. It’s all in rectilinear, unfinished concrete, surrounded by a carapace of glass. The lines are crisp and clear, almost clinical. It’s a building that discreetly steps out of the way, so that your attention can rest squarely on the art inside.
The current exhibition begins with the installation ‘Japan Diary’ by the Düsseldorf artist Anne Pöhlmann (g), documenting a 2017 fellowship (g) in Japan. She combines photographs, designs, and textiles, some hung on the wall, some draped over plinths on the ground. The exhibition proper features Japanese art from the collection: a few sculptures and lacquered objects, but mostly silk scrolls and screens with landscapes, still lives, and portraits of the Buddha and various deities. Many are extremely well-preserved, with colors that still pop.
They’re presented without any identification, which is typical of the curatorial style in this “cultural area” (the Museum Insel Hombroich also has no identification next to the works). Most of the scrolls are hung directly on the wall, without any guardrails or glass, allowing you to get quite close to them and inspect the details. It’s this intimacy which marks all the museums and galleries in the area. You have to seek them out, which means they attract a more sedate and sophisticated kind of visitor. There’s no intrusive security or announcements or loud tour groups or bored children.
The Langen Foundation is one of the many discreet jewels of cultural life in and around Düsseldorf. And if you go there by bike, you’ll ride next to the picturesque Erft canal.